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With the arrival of the Beatles on American shores in 1964, the “British Invasion” became a national pop-culture phenomenon. Representing the second generation of rock and roll, wave after wave of English rock groups—such as the Rolling Stones, the Animals, and the Who—followed the Beatles during the next two years. Teenagers across the United States were inspired to form four- or five-member bands patterned after their British role models. Because they often practiced in garages, these amateur groups came to be known as “garage bands.”
Like many mid-sized American cities, Little Rock (Pulaski County) witnessed a mid-1960s explosion in the number of neighborhood teenage groups, all competing for school, fraternity house, or country club engagements. Other cities and towns in Arkansas, such as Hot Springs (Garland County), Fayetteville (Washington County), Jonesboro (Craighead County), and Pine Bluff (Jefferson County), experienced the garage-band boom, but Little Rock offered several advantages to groups hoping for a shot at fame. Aspiring rock stars found their favorite records at Moses Melody Shop on Main Street and occasionally performed there for Saturday KALO radio broadcasts. Some cut demo discs at Jaggars Recording Studio on South Johnson Street, while others who wanted a shot at the Top 40 taped sessions for commercial release through E&M Recording Company and My Records at 2911 West Markham Street. (Although most of the bands cutting records were from Little Rock, out-of-town groups such as the Egyptians, from Hot Springs, also recorded for the My Records label.)
The Spyders were among the first of the Little Rock garage bands, forming in 1964. The band was made up of Ralph Payne, lead guitar; Wally Lehle, rhythm guitar; Dane Fulmer, vocals; Ron Hughes, vocals; Jim Vaughter, bass; and Doug Fulmer, drums. The group made one recording at Jaggars Studio, in one take with one microphone.
The Checkmates featured Mark Abernathy, lead vocals; Jim Pearsall, bass; Mike McCarroll, drums; Larry Storthz, rhythm guitar and vocals; and Chip Payne, lead guitar.
Another early group, the Coachmen, was one of the most popular and long-lasting, featuring vocalist Dave Mayo; drummer Steve Hockersmith; guitarists Tommy Roberts and Johnny Baumgardner; and bassist Buck McArthur. Their self-released 1966 single, “Jamie” / “Stand By Me,” harkened back to pre-Beatles rhythm and blues influences, while their 1967 My Records release showcased two polished, original songs, the ballad-like “Tears of Blue” and the Stax-Volt-flavored “I’ve Had Enough.”
Matching the Coachmen in professional perfectionism and popularity were the Romans, consisting of Gary Hall (lead vocals, rhythm guitar), Phil Miller (lead guitar), Rocky Hestes (keyboard, vocals), Charles Wycott (bass), and Greg Kempner (drums). The group had a local hit with a 1966 My Records single, the Byrds-influenced “I’ll Find a Way.” Reconstituted in 1967 as Merging Traffic, the group expanded with new members Richard Shook (bass, vocals), Bob Younts (sax, vocals), Bobby Lincoln (trumpet), and Jim Matthews (who replaced Kempner on drums). After scoring well locally with the 1968 My Records release “Ain’t No Need,” on which the band displayed a mastery of the Memphis horn sound, Merging Traffic was signed by Decca, a major label, and had a minor national hit with “Bit By Bit.”
A band that blended what would come to be called “alternative” music with mainstream pop and soul was the Culls. Steve Baldwin (vocals), Dan Kenner (lead guitar), Mike Anders (rhythm guitar), Dub Elrod (bass), and Jim Orahood (drums) explored lesser-known material by the Yardbirds, Them, and the Kinks. Their 1967 My Records cover of the Pretty Things’ “Midnight to Six Man,” paired with the Burt Bacharach standard, “Walk on By,” received a lot of radio airplay and became a kind of cult favorite, surfacing some years later on a British album devoted to American garage bands.
Another notable Little Rock group of the era was the Dutch Masters, an experimentally daring group with a proto-punk attitude, headed by Blake Schaefer. The Light Brigade, a true house-party band led by brothers Lonnie and Ronnie Cole, lasted longer than any of the others, playing gigs across the southeast United States for several years. The garage bands of the 1960s set the stage for the growth of a vibrant rock-music scene in Little Rock with the garage-band revival of the 1980s and 1990s. The efforts of these various bands were archived on a compact disc, The Little Rock Sound, 1965–69, compiled by Bill Jones and issued by the Butler Center for Arkansas Studies in 1999.
For additional information: Hall, Ron. Playing for a Piece of the Door: A History of Garage and Frat Bands in Memphis, 1960–1975. Memphis: Shangri-La, 2001.
Hicks, Michael. Sixties Rock: Garage, Psychedelic, and Other Satisfactions. Urbana: University of Illinois Press, 1999.
The Little Rock Sound, 1965–69. Liner notes by Bill Jones. Little Rock: Butler Center for Arkansas Studies, 1999.
William B. Jones Jr. Bottle Imp Archives, Little Rock
Last Updated 8/21/2013
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