A member of the Arkansas Entertainers Hall of Fame, Sarah Caldwell was an internationally recognized American opera director, conductor, producer, and impresario. She was known for emphasizing the dramatic elements of opera in her productions with innovative stagings that often included spectacular visual effects. She also was known for performing and staging obscure operas that were performed rarely because of their difficulty.

Sarah Caldwell was born on March 6, 1924, in Maryville, Missouri, but grew up in Fayetteville (Washington County). Her father, Henry Alexander, taught political science at the University of Arkansas (UA) in Fayetteville, and her mother was a piano teacher.

Recognized as a child prodigy, she was performing in public on violin by the age of ten and graduated from Fayetteville High School at fourteen. Caldwell went on to study psychology at UA but left after a year and a half. She studied violin at Hendrix College and won a scholarship to the New England Conservatory of Music. In 1946, she won a scholarship in viola at the Berkshire Music Center in Tanglewood, Massachusetts. In 1947, she staged Ralph Vaughan Williams’s Riders to the Sea at Tanglewood. She served for eleven years as opera teacher Boris Goldovsky’s chief assistant.

Caldwell moved to Boston to head the Boston University opera workshop in 1952. In 1957, she started the Opera Company of Boston with $5,000. There, she staged a variety of operas, establishing a reputation for producing difficult works under pressure. In 1975, Caldwell was featured on the cover of Time magazine. Caldwell became the first female conductor of the Metropolitan Opera the following year. She appeared with the New York Philharmonic Orchestra, the Pittsburgh Symphony Orchestra, and the Boston Symphony Orchestra. In 1978, she was the first recipient of the Kennedy Center Award for Excellence. She became artistic director of the New Opera Company of Israel in 1983. In 1996, she traveled to the White House, where President Clinton and First Lady Hillary Clinton presented her with the National Medal of Arts.

Known for her interest in performing interesting and difficult works, Caldwell said that she wanted “to perform music which is wonderful that for some odd reason we have not yet explored.” Caldwell staged more than seventy-five operas, including such American premieres as Hector Berlioz’s Les Troyens (1972), Sergei Prokofiev’s War and Peace (1974), Roger Sessions’s Montezuma (1972), Mikhail Glinka’s Ruslan and Ludmila (1977), Bernd Alois Zimmermann’s Die Soldaten (1982), Peter Maxwell Davies’s Tavener (1986), and Robert DiDomenica’s The Balcony (1990).

Her opera company closed in 1991, over five million dollars in debt. She took many guest teaching and guest-conducting jobs after this but seldom worked in the United States.

Caldwell died on March 23, 2006, in Portland, Maine, at the age of eighty-two.

For additional information:
Duffie, Bruce. “Conversation Piece: Conductor Sarah Caldwell.” http://www.bruceduffie.com/caldwell.html (accessed February 5, 2007).

“Music’s Wonder Woman.” Time, November 10, 1975, pp. 52–54, 59, 65. Online at http://www.time.com/time/magazine/article/0,9171,913688,00.html (accessed February 5, 2007). (accessed February 5, 2007).

Schudel, Matt. “Opera Conductor and Impresario Sarah Caldwell, 82.” The Washington Post. March 25, 2006, p. 6B. Online at http://www.washingtonpost.com/wp-dyn/content/article/2006/03/24/AR2006032401987.html (accessed February 5, 2007).

C. L. Bledsoe
Ghoti magazine